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RightWingBob.com
Another side of Bob and more!

Well, the wind keeps a-blowin' me
Up and down the street
With my hat in my hand
And my boots on my feet
Watch out so you don't step on me



Daily Ramblings:

Wednesday, May 14, 2008

Israel at 60 ...7:24 pm

And while on the subject of proofs of God’s existence … happy birthday to the state of Israel.

Every empire that’s enslaved him is gone,
Egypt and Rome, even the great Babylon.
He’s made a garden of paradise in the desert sand,
In bed with nobody, under no one’s command.

Now his holiest books have been trampled upon,
No contract he signed was worth what it was written on.
He took the crumbs of the world and he turned it into wealth,
Took sickness and disease and he turned it into health.

What’s anybody indebted to him for?
Nothin’, they say.
He just likes to cause war.
Pride and prejudice and superstition indeed,
They wait for this bully like a dog waits to feed.

What has he done to wear so many scars?
Does he change the course of rivers?
Does he pollute the moon and stars?
Neighborhood bully, standing on the hill,
Running out the clock, time standing still.



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Francis ...11:53 am

Frank Sinatra passed on ten years ago today. I recall thinking at the time that with Sinatra gone, all bets were off — anything could now happen in this world. (And I think the record would show that I’ve been proven largely correct in that.)

Bono once completed an introduction for Frank (at the Grammy Awards, if I remember correctly) by indicating that he represented “final proof that God is a Catholic.” Well, I’m not convinced on that score, but I confess that I have often thought of Frank Sinatra — or at least of his greatest work — as being final proof that God is, period. Sinatra

Now, sad to say, there remain some mortals who don’t get Sinatra. Actually it’s perfectly understandable. Most people, after all, are exposed first to the variety of caricatures of him that exist in the popular consciousness, and to his more showbiz-zy numbers, and to the regrettable schlockiness in a good deal of his later work. Sinatra also had a big public personality to match his big talent, and the former is easier for those in the entertainment and news media to focus on than the latter. Relatively few people get exposed in the proper way to Sinatra’s greatest musical works, although it is those works that have secured his true legacy and will continue to so do for centuries to come.

There’s some debate about what Sinatra’s greatest album was, but not too much debate as to what was his greatest period. Although there is certainly much to be said for his earlier work and for some of his 1960s albums, it was while he was making music for Capitol Records between 1953 and 1960 that Sinatra consistently delivered those albums which continue to stand as unsurpassed examples of singer, songs and arrangements working in near perfect symbiosis.

And, to me, the most perfect of all of those great LPs — the pinnacle of the peak — is 1955’s In The Wee Small Hours, arranged by Nelson Riddle. The deejay and masterful Sinatra-phile Jonathan Schwartz has referred to it as Sinatra’s “cathedral-work,” which I think is very apt. I understand why some would pick the more unrelentingly dark Only The Lonely, or the effortless, perfectly balanced verve of Songs For Swingin’ Lovers. I also have a deep penchant for the profound intimacy and sensitivity of Close To You, which Sinatra recorded with Felix Slatkin’s string quartet. However, it remains In The Wee Small Hours which devastates this listener most deeply and in the best possible sense.

Consisting of songs which were mostly written many years earlier and by a variety of composers, the album somehow seems to be telling the story of one particular man’s love, loss and yearning. Each song — and more accurately each performance — seems to be casting light from a different angle upon the same man’s heart, even as his moods change and his unsettled spirit struggles on. There is for example the wistful dreaming of I See Your Face Before Me, the crumbling denial of I Get Along Without You Very Well, the restrained yet excruciating regret in It Never Entered My Mind, and the darker meditations that are Sinatra’s readings of What Is This Thing Called Love and Ill Wind. The album can be heard as a cycle of songs telling a single individual’s emotional story, and yet it is a cycle brought to fruition without a hint of self-consciousness, pretension or strain. It is a truly amazing achievement, where the whole seems to be something considerably greater than the sum of its already impressive parts.

And so it is that I would recommend the following Francis Albert Sinatra test to those whose feel that they cannot believe in a God, or even to those whose belief is present but at times shaky and faltering. Obtain a proper edition of In The Wee Small Hours. Sit in an optimum location for hearing your stereo’s sound reproduction. If it should be your wont, pour yourself an adult beverage or ignite your preferred tobacco product. Otherwise and in any case, start the album at the beginning and close your eyes. Listen to all sixteen tracks, the full fifty minutes or so, giving yourself over completely to every peak, valley and nuance that achieves its realization in Sinatra’s voice and Nelson Riddle’s strings.

The album ends on the exquisitely fashioned and heartbreakingly upward note of This Love Of Mine.

I ask the sun and the moon, the stars that shine,
What’s to become of it, this love of mine?

You only know, as Sinatra sings it, that this love of his will go on, and on.

As the last note fades, you must ask yourself honestly if all that took place in those just-passed fifty minutes could possibly be the accidental product of some mixed up matter and goo, which somehow combined, took to reproducing itself, and culminated in 1955 in a recording studio with Frank Sinatra, Nelson Riddle, all the other musicians, and this collection of songs, melding together into the sublime work that is In The Wee Small Hours.

If you can believe that … well, my only explanation would be that your imagination is many times greater than mine. Or maybe your stereo needs repair.

To Frank, who must now be interrupting the heavenly choir with some terrific solos, much as he did in his years with Tommy Dorsey’s band: We miss you.


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Monday, May 12, 2008

Mirth & edification (you sort it out) ...9:23 pm

Via Hot Air: Don’t miss the truly superior Hillary Clinton impersonator. See all her Hillary bits collected here, or watch what might be the very best one at this link or below. It’s Hillary rehearsing hand gestures in her hotel room before a speech in Iowa.


And this defies commentary, at least by such as me. It’s the ever audacious Ray Wallace, and Isaiah 53 Revisited. Click here to go to YouTube or play below.


Dig it or not — you can’t ignore it.


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Sunday, May 11, 2008

If it keeps on rainin’ ...2:05 pm

From Monterrey, Mexico on February 29th last, here’s a clip of Bob Dylan and the band delivering a scorching performance of The Levee’s Gonna Break.

Some people on the road carrying everything that they own
Some people on the road carrying everything that they own
Some people got barely enough skin to cover their bones

As Jack Fate said in his big movie, “See [the world] from a fair garden and everything looks cheerful. Climb to a higher plateau and you’ll see plunder and murder.”


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Saturday, May 10, 2008

Follow the money ...6:18 pm

Hillary Clinton, in a glitzy event in midtown Manhattan today, apparently raised a big wad of cash. From local news service NY1:

… Clinton appeared relaxed as she was joined by her daughter Chelsea and New York Representatives Charles Rangel and Nita Lowey at an enthusaistic, packed event in Midtown’s Sheraton Hotel, which reportedly raised a few hundred dollars for her campaign.

Clinton was determined to continue her campaign, and said, “There’s a lot of unfinished business that awaits our next president, and I believe with all my heart that we are up to doing it. But it will depend greatly on the outcome of this next election, and for me it is all about electing a Democratic president and then governing again so that we can make progress.”

Chin up, Hillary. With fund raising numbers like that, who the hell cares what the media elites say? Take it all the way to Denver.

Please.


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More blank ...5:19 pm

The exhibition of Bob Dylan’s artwork, known as “Drawn Blank,” opens in London on June 14th at the Halcyon Gallery.

Dylan himself kicks off a new musical tour on May 16th in Worcester, Massachusetts; it’s a tour that will take him in a graceful arc — or maybe more like a crazy semi-circle — through Newfoundland, Iceland, Russia, Lithuania and Portugal, as well as points in-between. When his exhibition opens in London, he’ll be somewhere between Varazdin, Croatia and Trento, Italy. (And this is someone who turns 67 years old on May 24th. )


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Tuesday, May 6, 2008

A birthday ...8:49 pm

Israel declared itself a nation on May 14th, 1948, and so this year marks the 60th anniversary of its founding. The New York Post marked this on Sunday with a special section of the newspaper.

Among the articles is a reprinting of the editorial which ran in that same newpaper on May 15th of 1948:

Birth of a Nation

Israel is reborn after 20 centuries.

First recognition of Israel as a de facto State has come from the United States of America. The new nation was formally inaugurated in Palestine at 6 p.m. yesterday. At 6:01 p.m., President Truman issued the proclamation extending recognition and expressing the hope that Israel would work fully with the United Nations Truce Commission for Palestinian peace.

At the same time, war was declared on the world’s newest democracy by Egypt, with Syria, Iraq, Transjordan, Lebanon, Saudi Arabia and Yemen proclaiming that “a state of war exists.”

Also notable is the story told by Dvora, a young passenger on a ship that came to be called Exodus, which carried thousands of holocaust survivors from France to Palestine in 1947, only to be stopped by the British and forced to go back not only to Europe but to Germany. There is a piece by Abby Wisse Schachter on the struggle for independence and also a nice piece on Golda Meir.


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Sunday, May 4, 2008

Rarities ...5:51 pm

There’s a user on YouTube called “ForTheHeart76″ who has uploaded a bunch of Dylan audio rarities, some of which are new to me (thanks to David for the tip). You can click here to see the list of Dylan-related uploads.

Click below to hear I Want You To Know I Love You and Don’t Ever Take Yourself Away, both believed to be outtakes from Shot of Love.



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Trying to get closer ...12:40 pm

… but still a million miles from you .

From YouTube, here’s Bob Dylan with a killer 1998 performance of Million Miles.


In a certain way the trying can itself be seen as the achievement, which is reassuring to spiritual weaklings like myself. The journey can be the destination. The seeking can be, in an important way, the finding. Psalm 53 (KJV) says:

God looked down from heaven upon the children of men, to see if there were any that did understand, that did seek God.

That people should seek God is itself what God seeks, you might say.

Psalm 69 says:

I will praise the name of God with a song, and will magnify him with thanksgiving.

This also shall please the LORD better than an ox or bullock that hath horns and hoofs.

The humble shall see this, and be glad: and your heart shall live that seek God.

And as that songwriter featured above sang on another occasion:

God knows we can get all the way from here to there
Even if we’ve got to walk a million miles by candlelight.


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Friday, May 2, 2008

COLD ...5:23 pm

Theme Time Radio Hour with your host Bob Dylan

Belatedly getting around to a few notes on the final episode of Bob’s second season of “Theme Time Radio Hour” on XM Satellite Radio. Bob said plenty of defining things in this episode relating to his attitude to music, and some fairly generous quotes are included below, scattered amidst the show’s playlist.

Ellen Barkin’s spoken intro for this episode:

“It’s night in the big city. A man falls asleep, far from home. The last piece of pie is gone. This is Theme Time Radio Hour with your host, Bob Dylan.”

( “Here’s the King of Texas blues guitar, Aaron Walker …” Bob tells us that he got his nickname, “T-Bone,” from his middle name, “Thibeaux.” )
T-Bone Walker — Cold, Cold Feeling
Porter Waggoner — The Cold Hard Facts of Life ( “It’s a great example of how you can tell a complete short story in a little over two minutes.” )
Ray Charles and Betty Carter — Baby It’s Cold Outside
John Lennon — Cold Turkey
( Bob talks about the origins of the term “cold turkey.” “My buddy Keith Richards once told me the phrase goes all the way back to 1910. It means ‘without preparation,’ as easy as it would be serve a dish of cold turkey. By the twenties, this expression acquired its darker connotation, relating to drug withdrawal. Personally, I think it comes from the same place as the phrase to ‘talk turkey’: honestly, squarely. Because when you quit cold turkey, you’re facing addiction head-on. But now that I think about it, I don’t know how turkeys came to be associated with honesty. I mean, I don’t think of them as a particularly honest bird. I know they’re supposed to be a dumb bird; in a rainstorm, they tilt their heads up and keep drinking till they drown. And I know they wait all year just to get onto your table for Thanksgiving. But who knew they were so honest?” )
( Bob reads a poem about junkies and thieves by Charles Bukowski. )
Lightnin’ Slim — Winter Time Blues
( “Where do you even begin with a record like that? There’s so much right with it. First of all, nobody’s in any hurry. You could just about drive a truck between the beats. You got a girl named Priscilla, barely sixteen years old; Lightin’ Slim employs a Socratic method, starts asking himself questions half-way through the song: just a perfect record. Nobody makes records like that anymore.” )
Loretta Lynn — When the Tingle Becomes a Chill
Big Joe Turner — The Chill Is On
( “There’s a line in that song, ‘I been your dog ever since I been your man.’ Certain phrases are used over and over in the folk process, and they cross the boundaries between country and blues music. A phrase like that one, or ‘I’m goin’ where the chilly winds don’t blow,’ can be heard over and over. For example, here’s a song called ‘Chilly Winds.’ It was originally recorded back in the ‘twenties, and many people recorded variations of it. Riley Parker [?] did it in 1924; Bill Monroe did a version of it; Woody Guthrie turned it around a little bit and got it ‘Going Down the Road Feeling Bad.’ The version we’re gonna play is by a guy named Clarence Ashley. He was a medicine show performer dating all the way back to the ‘teens and ‘twenties … ” )
Clarence Ashley and Doc Watson — Chilly Winds
Willie Walker — Warm To Cool To Cold
( “Gold Wax was known as a soul label, but the guy who started it was pure country. Y’know there weren’t as many lines drawn in southern music as people like to pretend there are. Country music, soul music and blues all came from that same river. The guy who started Gold Wax records — Quinton Claunch — also cowrote a song by one of my favorite rockabilly artists. As a matter of fact, during our Countdown show, I promised I’d play it. So just to prove I never forget a promise, here’s a song cowritten by Quinton Claunch, and the other man who wrote it, well he’s singin’ it. Here’s Charlie Feathers …” )
Charlie Feathers — Defrost Your Heart
( Bob on how cold it is where he comes from: “It’s so cold out there that the politicians have their hands in their own pockets.” )
( Bob explains that “The Charmer” was the name that Louis Farrakhan adopted as a calypso singer in the 1950s. “Well in the interest of equal time, we’ll let other people discuss the politics and we’ll just stick with the music.” Magnanimity indeed. )
The Charmer — Stone Cold Man
( “Roy Hogsed — that’s a great name — he’s one of those guys that you don’t know where to put his records. Are they country boogie? Are they early rockabilly? Are they country and western? That’s why I file everything alphabetically. I don’t separate it by style. That’s why you find Thelonius Monk right next to the Monkees. So here’s Roy, and a hopped-up little song called …” )
Roy Hogsed — So Cold So Dead So Soon
Parliament — I Can Feel the Ice Melting
( “No matter what you do, no matter where you go, no matter how you feel right now, at some point you’re gonna end up in that cold, cold ground. Here’s Tom Waits, along with David Hidalgo on the accordion … ” )
Tom Waits — Cold, Cold Ground
( Bob introduces and then reads a passage from Shakespeare’s “Hamlet”:

Alas, poor Yorick! I knew him, Horatio: a fellow
of infinite jest, of most excellent fancy: he hath
borne me on his back a thousand times; and now, how
abhorred in my imagination it is!

Bob continues, “Kings, jesters, and everyone in-between end up in the cold, cold ground. Willa Cather once said, ‘I shall not die of a cold; I shall die of having lived.’ I don’t mean to bum you out — I just like to face the cold-hearted facts of life. Here’s another cold hard fact of life: This is our final show of the season. We’re gonna go away for a little while, but not for too long. Just long enough to look for some more themes and records to go along with them. In the meantime, you try to stay warm. Be careful, ‘cos I’ll be counting heads when we come back for Season Three. You better be there! See ya soon.” )

End of the second season of Bob Dylan’s “Theme Time Radio Hour” on XM Satellite Radio.


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Wednesday, April 30, 2008

Eau de Dylan ...9:09 pm

I guess this is something that just has to be noted, whatever you make of it: An old story, from November of 2006, has Carrie Fisher talking about Bob Dylan during her then one woman stage show. For whatever reason it got picked up on Expecting Rain today.

While a call from Bob Dylan once left her hopeful that the Tambourine Man was romantically interested in her, she was heartbroken to learn he only wanted her business advice. Get this: Fisher said Dylan was interested in talking to her about helping him come up with a name for a cologne he was planning to launch.

Bizarre as that may sound, Fisher said Dylan also told her he wanted to open a beauty shop. The late former Beatle George Harrison told Fisher at the time that Dylan was always thinking of ways to leave the entertainment business to live a so-called normal life.

Well, the most bizarre thing about this is that it actually rings true, when you consider the following passage from Bob Dylan’s memoir, “Chronicles, Volume 1.” The context is vaguely late 1980s, and Dylan is trying to recover from a hand injury.

I fantasized about the business world. What could me more simple or elegant than venturing into that? It might be interesting to try the conventional life for a while. I was thinking ahead. I called a friend of mine who put me in touch with a broker who bought and sold independent businesses. Starting one from scratch was out of the question. I told him I was thinking about selling all I had and trading for something. What do you have? He came by and brought brochures on just about every enterprise going — facts and figures all down to the minutest detail … self-contained businesses all over the place — sugarcane, trucks and tractors, a wooden leg factory in North Carolina, furniture factory in Alabama, a fish farm, flower plantations and more. It was overwhelming. Just looking at this stuff made the weight press down above my eyes. How do you decide, especially if you don’t have any real interest in any of them?

It sure would have been a headline: Bob Dylan sells the rights to all his songs, and buys a wooden leg factory. Sounds like a story Tom Waits might tell. I have to be glad it was just a passing whim, along with the beauty parlor he may have talked about with Carrie Fisher. You know it just would have ended up filled with sailors, anyway.


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Tuesday, April 29, 2008

That was quick ...3:53 pm

Boy, the news cycle is so fast that you can’t even make a prediction before the whole thing comes and goes already.

So, at his press conference this afternoon dealing with the Rev. Jeremiah Wright, Senator Barack Obama said things like this:

“The person I saw yesterday [during Wright’s speech at the National Press Club -ed] was not the person I met twenty years ago.”

“I believe [his statements] do not portray accurately the perspective of the black church … and they certainly don’t portray accurately my values and beliefs. And if Rev. Wright thinks that that’s political posturing, as he put it, then he doesn’t know me very well. And based on his remarks yesterday, I may not know him as well as I thought either.”

He said he had given Rev. Wright the “benefit of the doubt” when he (Obama) made his big speech on race in which he defended Wright.

Obama then went on to specifically reject the theory of the U.S. government creating AIDS to kill black people, to reject the idea of Louis Farrahkan as being one of the great figures of recent years, and to reject the comparison of U.S. military actions to terrorism.

So, he is basically saying, “I disown who Rev. Wright appears to be today.”

Does anyone really think that Rev. Wright is someone very different today from the person he has been the last couple of decades?

If not, what conclusion will voters draw? Either Barack Obama is so dull and insensitive as to not realize what Wright was about despite twenty years of involvement with him, or he’s lying. Either way, it’s not a great premise for the general election campaign.

Barack Obama had to say what he said today, to try and evade the creeping perception amongst Democrats that he is unelectable due to his association with Wright (compounded by his association with Bill Ayers). The establishment of that perception is Hillary Clinton’s best hope of beating him for the nomination.

It may be that the posture he has adopted today will be sufficient to gain him the nomination, in the end. But the question of why it took until April 29th, 2008, for Barack Obama to suddenly discover that he was “outraged” by the things that Rev. Jeremiah Wright says is certainly going to follow him into any general election campaign.


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Barack about to try and write off Wright? ...2:02 pm

It’s being reported that Senator Barack Obama is going to address the issue of Rev. Jeremiah Wright once more at a press conference later today. I’m going to go out on a limb — if it is a limb — and predict that he will attempt to cut anchor completely; i.e. to completely disown Rev. Wright in a way that he hopes will end the usefulness of the issue for his opponents. To date, remember, all that Obama has done is vaguely reject unspecified statements of Rev. Wright’s that he says he finds offensive, while at the same time saying that these statements do not represent the Rev. Wright he has known during his 20 years of attendance at the Rev. Wright’s church. I think Obama has to cut anchor in a decisive way if he is to continue to be serious about running for president. No one is going to win the presidency while joined at the hip to a man who enthusiastically says “God damn America,” not to mention all the other stuff. And he is joined at the hip: Wright’s was the form of Christianity that Obama first embraced; Wright married the Obamas, baptized their children, inspired the title of Obama’s book, and has been highly lauded by him over and over again.

The question will be of-course be why it took until now — six months before the general election — for Obama to realize that he needed to totally sever himself from this guy. I think that he really believed that he could finesse these questions, all the way through — that he could argue as he has done to date that he embraces the good things he saw from Rev. Wright at the United Church of Christ in Chicago while repudiating all of these incendiary remarks which of-course he never happened to hear. You could say that it’s a measure of just how stupid Barack Obama thinks the voters are, deep down.

What’s changed in the past several days is Obama’s realization that the Rev. Wright is not going to play along. Obama just assumed that Wright would see how important it was that he — Barack Obama — become president, and that the Rev. would stay quiet in the background and give Obama room for his finessing. But Wright doesn’t care. Look at him, for Pete’s sake. He is someone who self-evidently loves the limelight and loves having a platform. He always has — you can easily see he’s as much a performer as a pastor. Now, thanks to the controversy over his famous parishioner who is running for president, the Rev. Jeremiah Wright has the biggest platform he’s ever had. Everything he says is national news! Some have also theorized that he actually wants Obama to lose the election, as it will bolster his argument that America continues to be a nation that oppresses black people. It’s hard to say if that’s true, but it’s easy to see that, in the end, Wright doesn’t give a good “g-damn” about cooperating with Obama’s election strategy.

Even Obama can see it, and that’s why, I believe, he’ll be cutting Jeremiah loose — or trying mightily to do so — at the reported press conference later today.

Ironically, while being an absolute prerequisite for a serious run in the general election, it might actually hurt him in the upcoming primaries, as it will be one more example of Obama acting like a regular politician instead of as some kind of super-idealist liberal paradigm.

Gosh. This Hillary/Barack contest is so much fun. If only it could go on forever …


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Bob’s byline ...10:38 am

Lee Abrams was until recently the “Senior Vice President and Chief Programming Officer” for XM Satellite Radio, and he was highly instrumental in the hiring of Bob Dylan to do his wonderful “Theme Time Radio Hour” show. Earlier this month he became “Senior Vice President and Chief Innovation Officer” at the Tribune Company, a media behemoth which owns the Los Angeles Times, the Chicago Tribune, sundry other newspapers and media thingies, and operates twenty-three television stations.

Of-course print media has been going through a rough time and it seems to be only getting rougher, especially for the old mainline newspaper giants. Never fear; Abrams has the answer. And it is — you guessed it — Bob. As reported at this link, Abrams says:

BOB DYLAN & Tribune? Had a great meeting with the Dylan folks. There is big potential to have Bob on our team. The guy DOES know how to write.
Got me thinking—-Are we creating our own stars? we have them…and we should continue to recruit them. Online, on TV and In print. We live in a celebrity era…columnists CAN be stars IF we position them that way.

Well, this is funny to contemplate, but count me as highly skeptical. I can see there being a “great meeting with the Dylan folks” on it, but, with all of his other outlets, I can’t see Dylan personally really wanting the platform or the aggravation of writing some kind of regular column. Now, I could be wrong, but I think that whereas “Theme Time Radio Hour” is a natural fit with what Robert Spencer has called Dylan’s “deep love of tradition, and […] interest in passing it on”, and his desire for “giving credit where credit is due”, I just don’t see a regular column serving those same purposes of Dylan’s. And he does have two more volumes of memoir still to complete. But, what do I know?

One thing’s for sure: If anyone can save the struggling old broadsheets, it is Bob Dylan — the true King of All Media.


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Monday, April 28, 2008

Odds, ends ...9:28 pm

If you go by the review in Salon magazine, then Suze Rotolo’s forthcoming memoir of her life with Bob Dylan in early 1960’s New York ( “A Freewheelin’ Time” ) is more affectionate and well-intentioned than the promotional teasers might have conveyed.

Thanks to Fred for the link to this Power Line post, which includes a YouTube video performance of Stuck with Jeremiah in the Pastor’s Pews again, or, if you prefer, Obama, Can This Really Be Your Friend? That is, it’s a commentary on Senator Barack Obama and his spiritual mentor, Rev. Jeremiah Wright, by means of a song parody of Dylan’s Stuck Inside of Mobile with the Memphis Blues Again. It’s funny, although I don’t know if I would have tried to make it equally as long as Dylan’s original (!)

Thanks to Anthony for his e-mail:

As a lifelong Orthodox Christian (my family converted to Orthodoxy when I was about 1), I appreciate the Happy Easter wishes on the website. Seeing your recognition of us Orthodox, I was reminded of the prominent Dylan connection to Orthodoxy. In “Thunder on the Mountain,” as I’m sure you know, one of the lines goes “I’ve been to St. Herman’s Church, I’ve said my religious vows.” What’s interesting is that a quick google search of “St. Herman” or “St. Herman’s Church” will show that there are no Catholic or Protestant churches (presumably in the whole world) that are named “St. Herman’s,” they are all Orthodox. Also, there’s not even really a respectable St. Herman in the West to name a church after anyway (there are a couple of obscure ones from the 11th and 12th centuries but no one anyone’s ever really heard of). However, the aforementioned google search brings up reams of pages related to St. Herman of Alaska, a very popular Orthodox saint in America, considered the patron saint of the Americas by Orthodox.

Just as you would not claim Dylan is a registered Republican, I would certainly not claim that he is a chrismated Orthodox Christian (though I do believe he is a believing Christian of some sort). However, it’d be hard to write a line like that (unless he just picked a random name that he liked, which isn’t out of the question with Dylan) without having some conscious knowledge of the Orthodox Church and it’s most prominent American saint.

Just thought I’d point out an interesting connection, keep up the good work!

And there’s one St. Herman’s church at this link.


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Sunday, April 27, 2008

Happy Easter again ...1:22 pm

… to those Christians observing the Orthodox calendar.

This clip of Ring Them Bells is a shining, almost acoustic version by Bob Dylan and his band, in a performance from the Supper Club in New York City in 1993.

Ring them bells St. Peter
Where the four winds blow,
Ring them bells with an iron hand
So the people will know.
Oh it’s rush hour now
On the wheel and the plow
And the sun is going down
Upon the sacred cow.

Via Expecting Rain, the YouTube clip below has to be seen to be believed. There have been clips before where the fans invaded the stage to one degree or another, but in this case there’s a never ending procession of esoteric individuals hopping onstage and kissing Bob, all while he performs Like A Rolling Stone. The amazing thing is that he finishes the song. He could well be forgiven for, at the very least, concluding it after the second chorus and saying, “See ya next year, friends!” Maybe it becomes a point of pride for him to demonstrate that he can perform the song all the way through, no matter what. He even throws in an extended jam at the end. Not sure the exact where and when of the performance, but it certainly looks like the early 00s.



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Wednesday, April 23, 2008

Too much of nothing ...10:50 am

Distractions abound; please enjoy this shot of our dog Billie enjoying some beautiful spring weather.

Billie on the beach


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Sunday, April 20, 2008

Can’t Wait ...9:40 am

There’s a wonderfully intense live performance by Bob Dylan of Can’t Wait newly loaded on YouTube. It’s apparently from Göteburg, Sweden, in the year 2000, and is a stripped down arrangement featuring focused and intimate singing and electric guitar noodling from Bob.

Click here to go to YouTube or play below.


It’s mighty funny; the end of time has just begun
Oh, honey, after all these years you’re still the one
While I’m strolling through the lonely graveyard of my mind
I left my life with you somewhere back there along the line
I thought somehow that I would be spared this fate
But I don’t know how much longer I can wait.


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