Too Much Times On My Hands ...9:08 am
The Orange County Register delivers a less than positive review of the new Twyla Tharp / Bob Dylan musical The Times They Are A-Changin’ (currently playing at the Old Globe Theater in San Diego), calling it “an intermittently interesting but ultimately unsatisfying work.” I think at this point I’m going to stop trying to track and respond to all the reviews. Overall I think it’s true to say that the reaction is more positive than negative, and things look promising on that basis for the musical’s progress and ultimate trip to Broadway. But the show is obviously going to undergo some tweaking, and until there’s some dramatic news, there seems little value in weighing every opinion that comes by. And since I haven’t seen it myself, it’s a little unseemly (and yes, perhaps absurd) for me to knock the opinions of those who have … however much they might deserve to be knocked.
Here are a few of the previous posts on the subject that just about say it all, at least for the moment.
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- The Review is in!
- And a Little More Times.
- The Economist agrees with RWB on The Times They Are A-Changin’
Tuesday, February 14, 2006
License to Kill ...10:30 am
It’s become clear that the policy of this White House is to hush up the Vice-President’s random acts of violence by seeing that they only get reported to local newspapers. It’s a shrewd “CYA” strategy, you see: no one ever hears about it except the irrelevant yokels who buy such neighborhood bulletins, and yet, the administration cannot be charged with an actual cover up.
With this in mind, RWB searched for “Cheney shooting” on Google and discovered the following, as the 27,484th entry, from a periodical called The North Danville Herald-Dispatch (don’t bother trying to find it; minutes after I read it the NSA had already zapped it into oblivion).
Police Blotter
11:59 a.m. Sunday, 3400 block of South Washington Street, theft of medication from residence.
8:32 p.m. Sunday, 2000 block of West 10th Street, theft of CD player and coat from vehicle.
9:40 p.m. Sunday, 1900 block of South Brownlee Street, Timmy Callaghan, 35, 2124 S. Brownlee St., arrested, resisting law enforcement. He was released Monday from the Grant County Jail on $400 bond.
10:14 p.m. Sunday, 400 block of West Eight Street, attempted arrest of Vice President Cheney in shooting of a cashier at McDonalds Hamburger Restaurant in same location. Secret Service prevented arrest. VP Cheney declined to talk to officers at the scene, but was seen proffering a twenty dollar bill to the store manager, saying “This is for the mess,” and “Do whatever you feel comfortable doing.” Cashier declined to press charges, citing fear of “torture” and “Gitmo.”
11:26 p.m. Sunday, 3000 block of South Western Avenue, Stanley Kind, 33, 908 W. Ninth St., arrested on warrant, failure to appear. He was released Monday from the Grant County Jail on $336 bond.
…
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Monday, February 13, 2006
And a Little More Times. ...9:00 pm
Thanks very much to reader Paul who writes to say that he saw The Times They Are A-Changin’ and, well, in his words:
My wife and I saw “Times” in San Diego last weekend. I agree with your take
and passion about Uncle Bob, and her tastes run more toward Broadway. We
BOTH loved it! It was more like a “series of dreams” than a conventional
play, and it does need some tightening up, but it was amazing and strange
and wild and insightful and dark and plain FUN all at the same time. Kind
of like Dylan.
So, the worst fear with this thing was that it could be a true turkey - something that just didn’t work for anyone. At this point we know that’s not true. Two positive reviews from theater critics, and a good number of positive reactions from fans, and indeed non-fans, say that the show will go on.
…
Oh … late-breaking is another review, from “SanDiego.com.” Actually more of a blog post (those darned bloggers!). Very clearly from someone who doesn’t get it at all, and is under the impression that “Dylan had nothing to do with this show and that’s important to remember. ” He further says, “Now comes Twyla Tharp with the concept of harnessing Dylan’s art to pump the Broadway bucks.” Oh boy, poor Dylan is being exploited by the unscrupulous profit seekers of the Great White Way. Embarrassingly for someone who is taking the pose of an affronted Dylan fan, he doesn’t even get the “Captain Arab” reference (from Bob Dylan’s 115th Dream). Oh well. This kind of offended reaction to the use of Dylan’s songs in such an apparently alien context will inevitably crop up again and again as The Times passes. As said before, what really matters is what the people without that particular chip on their shoulder think about it. And so far, it’s doing pretty well in that department.
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Not Enjoying The Times ...10:06 am
Following two very good reviews, The Times They Are A-Changin’ gets a bad review this morning in the LA Times. It’s by Charles McNulty, who’s described as a “staff writer,” which I guess means he’s not a theater critic: “A dancin’ Dylan with two left feet.”
“The Times They Are A-Changin’,” the oddly misconceived Twyla Tharp dance-concert staging of his songs that opened Thursday at San Diego’s Old Globe, tries to do for Dylan what “Movin’ Out” did for Billy Joel. In short, create an event that will lure baby boomers to plunk down a lot of money to rock in their seats while deliriously graceful dancers interpret beloved old tunes.
There’s nothing inherently wrong with this proposition, especially when the choreographer-director is as abundantly resourceful as Tharp, whom you can always count on for breathtakingly precise artistry. And Dylan, who now licenses music to Starbucks, isn’t exactly above the commercial fray these days, if he ever was.
Still, songs such as “Blowin’ in the Wind” and “Desolation Row” occupy a different cultural place than “Just the Way You Are” and “Uptown Girl.” And no matter how well wrought the execution, the kitschy aesthetic of that newly popular hybrid form, the “dance-ical,” seems a better fit for Joel than for Dylan, one of the few contemporary singer-songwriters to earn a place in “The Norton Anthology of Poetry.”
So, Dylan’s too good for this kind of treatment, the reviewer appears to be saying. Since RWB won’t see the musical until it gets to Broadway, I’m in no position to debate the reviews. Suffice it to say, this kind of reaction would have to be expected from a lot of people who simply don’t want to hear these songs outside of the context with which they are familiar. The fact that the first two reviews from regular theater critics didn’t take this tone, and were very positive, is, I think, probably a much better indication of the worth of the Tharp/Dylan musical on its own terms.
Later he complains that the “historical dimension” of Dylan songs like Masters of War and Maggie’s Farm is lost in the context of the play. Well, yes; that’s obviously the idea. For him, it doesn’t work - he doesn’t want to let go of that history. The more important thing is how people without such hang-ups will respond to the show.
He just plain doesn’t like the circus context of the musical, and pins the blame on Tharp:
Tharp strikes an unsatisfying compromise, setting Dylan’s songs in the context of a bogged-down traveling circus that’s roiling with all kinds of surreal plotlines.
Of-course he has little choice but to blame Tharp for the circus idea and the “surreal plotlines,” since Dylan gets no writing credit other than for the songs. Nevertheless, as I’ve indicated from the beginning, anyone who believes that setting this thing in a run-down traveling circus led by “Captain Arab” was not Dylan’s own concept is nuts. I think that the entire general plot outline is Dylan’s. As with Masked and Anonymous, it amuses him not to credit himself, for whatever reason.
So anyhow, the wheel stays in spin.
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Sunday, February 12, 2006
Pay the Devil ...2:58 pm
Though nothing to do with Bob Dylan, this story about Van Morrison was linked on the Expecting Rain site today. It’s from the Guardian, and in fact is more about an artist called Cecil McCartney, who seems to cultivate both the business and friendship of celebrities. He had a “falling out,” allegedly, with Van Morrison in 1989, over a curious point of theology.
Morrison fell out with McCartney in 1989 following a row over whether Myra Hindley, the Moors murderer, could be forgiven for her sins. During a heated debate inside the Crawfordsburn Inn in Co Down, McCartney cast doubt on the sincerity of her conversion. This prompted Morrison, a committed born-again Christian who believes in the ‘cleansing power of the blood’, to throw his keys at his friend and storm out. The two men have not spoken since.
So (if you believe any of it) Van Morrison has refused to forgive his friend for claiming that Jesus’ capacity for forgiveness is not limitless.
Later:
“The fall-out broke my heart because I was like his big brother. When we met I was 24 and he was only 18. I can remember we used to chase girls in my mini-van.
“All I can say to him is ‘here’s to another 20 albums in the future.’ It’s about time we talked things through although it’s entirely up to him to make the move.”
Hmm. I’m sure that Van the Man is charmed at having the whole episode blared in the headlines like this. He’s probably ordering flowers for this McCartney fellow right now. (For his funeral, that is.) What I’m wondering is: Did Van ever get his keys back?
This all reminds me that I’m really looking forward to Van Morrison’s next album. I’ve heard some teasers via the internet already and it sounds fabulous. It’s basically old country songs with a couple of originals thrown in. Out on March 7th. (Wouldn’t be surprised if it gets a spin on Dylan’s new radio show, which debuts in March.) Get one before they’re all gone.
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Saturday, February 11, 2006
The Review is in! ...9:17 am
The first “mainstream media” review of the new Twyla Tharp / Bob Dylan musical, The Times They Are A-Changin’ appears today in the San Diego Union Tribune, by Anne Marie Welsh:
The big news about choreographer Twyla Tharp’s startling, eye-filling new stage work: Dancing takes a back seat to the music of Bob Dylan. Whether that’s a good thing for “The Times They Are A-Changin’,” Tharp’s much-anticipated show that opened Thursday at the Old Globe, remains an open question. The editor in her is already tweaking this exciting, flawed, phantasmagoric fable for an expected Broadway run.
In Twyla Tharp’s new stage work, “The Times They Are A-Changin’,” Captain Arab (Thom Sesma) resigns himself to loss, while Coyote (Michael Arden) and Cleo (Jenn Colella) dance their love to Bob Dylan’s “Simple Twist of Fate.”
Tharp’s genius has always resided in the tension between her mathematical mind and her vaudevillian heart. The vaudevillian carries the day in “The Times They Are A-Changin’,” a galvanic theater piece so far out and so original it surely doesn’t belong in that kiss-off category of “jukebox musical.”
And so it continues; read it all.
Bottom line: the reviewer believes it needs tweaking, but it has the makings of a very powerful show. Particularly interesting is her description of how the songs are transformed in the context of the play, taking on “new rhythms, phrasing, harmonies and emotional resonances.”
That was always going to be the key to making this show work. The songs needed to step out of the contexts that casual Dylan fans or the general public might remember them in, and instead convey the emotional narrative of the play in a congruous and affecting manner. If a professional theater critic is acknowledging success in that goal (and this one certainly is) then I think it bodes extremely well for the musical’s future.
Of-course it shouldn’t be surprising that the songs could work in this way. For his whole career, and conspicuously during the “Never Ending Tour,” Dylan has been turning the songs around, testing their angles, squeezing their middles, and stretching their extremities. He’s demonstrated how much could be done with the songs, and he goes on doing so. And it sounds like Twyla Tharp is succeeding in demonstrating still more.
…
Addendum 12:54 pm: A remarkably similar review is also published today in the San Francisco Chronicle: Tharp takes Dylan and runs off to the circus. Much the same bottom line: Great show, needs a little tweaking, definitely Broadway-bound.
And from PittsburghLive.com just a nice human interest story on one of the dancers in the cast, Jason McDole, who doesn’t let a hearing handicap prevent him from pursuing his career in dance.
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Friday, February 10, 2006
The Line it is Drawn ...11:09 am
Victor Davis Hanson today in National Review Online:
The great wealth and leisure created by modern technology have confused some in the modern age into thinking that history is linear. We expect that each generation will inevitably improve upon the last, as if we, the blessed of the 21st century, would never chase out Anaxagoras or execute Socrates — or allow others to do so — in our modern polis.
Often such material and moral advancement proves true — look at the status of brain surgery now and 100 years ago, or the notion of equality under the law in 1860 and in 2006.
But just as often civilization can regress. Indeed, it can be nearly lost in a generation, especially so now, with technology acting as an afterburner of sorts which warps the rate of change, both good and bad.
Who would have thought, after the Enlightenment and the advance of humanism, that a 20th-century Holocaust would redefine the 500-year-old Inquisition as minor in comparison?
Did we envision that, little more than 60 years after Dachau, a head-of-state would boast openly about wiping out the remaining Jews? Or did we ever believe in the time of the United Nations and religious tolerance that radical Muslims would still be seriously promising to undo the Reconquista of the 15th century?
And later he makes a point that echoes (more articulately) one I made in a previous post, and which I would commend to the attention of Hugh Hewitt:
… millions of brave reformers in the Muslim world are trying each day to create a tolerant culture and a consensual society. What those in Lebanon, Afghanistan, Iraq, and Egypt want from us is not appeasement that emboldens the radicals in their midst, but patient, careful, and firm explanations that freedom is precious and worth the struggle — even though its use can sometimes bother us. Surely the lesson from Eastern Europe applies: the oppressed there did not appreciate the realpolitik and appeasement of many in the West, but most often preferred a stalwart Reagan to an equivocating Carter.
(Victor gets all his ideas from RWB but I do so like what he does with them.) Read it all, as they say.
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Thursday, February 9, 2006
Odds and Ends ...9:13 am
The news says “Bob Dylan wins Grammy” for the film No Direction Home, but isn’t that going to sit on Martin Scorsese’s mantelpiece?
Playbill publishes a couple more pictures from the new Twyla Tharp / Bob Dylan musical The Times They Are A-Changin’ at the Old Globe Theater. Still no reviews from any professional theater critics, though we’ve had fan impressions here and here.
YudelLine brings up a reason to fear Dylan’s purported new album; or at least its release date.
Speaking of the album, and the rehearsals reported last week, it seems the town fathers of Poughkeepsie, New York, should maybe erect a statue in Dylan’s honor, considering how much worldwide publicity has been garnered for the town in the aftermath of his visit.

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Wednesday, February 8, 2006
Double-Standard Bearers ...11:41 am
Jody Bottum in On the Square at First Things (full disclosure: I’ve done some work on their website) reflects on American media reactions to the cartoon controversy, using the Boston Globe as his example, and comes up with some interesting conclusions.
The key phrase is the Globe´s qualifier: “as with the current consensus against publishing racist or violence-inciting material.” Tolerance for diverging viewpoints isn´t the reason the Globe refuses to publish racist material; if anything, such tolerance ought to require publishing the vile stuff. A newspaper doesn´t publish racist remarks because they´re wrong—and error has no rights. Oh, the erroneous holders of such errors may have some rights, but the error itself has no business in a newspaper.
So was the Boston Globe practicing hypocrisy when it editorialized against baiting Muslims in a way it has never editorialized about baiting Christians? Put that way, the answer is obviously yes. But the Globe´s writers see the whole thing instead as a matter of race. That´s their religion—by which I mean the thing they treat as a blasphemy to deny—and once it is cast in those terms, the Danish newspaper must be denounced.
Richard John Neuhaus, also in On the Square, pulls few punches in his first reaction to the controversy:
The conflagration is not, as many American and European editorialists are opining, about sensitivity to the religious feelings of others. The same editorialists routinely approve of “transgressive’ art and vituperative rhetoric that trashes Christianity. Nor is it about the “hypocrisy’ or “unfairness’ of Muslims who incessantly publish vile anti-Semitic and anti-Christian caricatures, although what they do is certainly not nice.
No, the teaching of Islam is that it is blasphemy to visually depict Muhammed, whether favorably or unfavorably, but especially unfavorably. It is also impermissible to criticize the teachings of the Qur´an and the hadith. These and many other prohibitions are part of the sharia law that militant Islamists are intent upon imposing upon Islam and, insofar as they are able, on the world.
The current explosion of violent protest is to be understood as a demand that Denmark, and the West more generally, subject itself to Islamic rules about what can and cannot be published. The European response to date, unfortunately aided by pusillanimous comments by our State Department, is an instance of what Margaret Thatcher called “going wobbly.’ Warnings by some that Europe is on the way to becoming “Eurabia’ have gained further credibility.
Backing up one of his points—as if it needed backing up—is the New York Times’ almost hilariously self-revealing action today. In printing an article that is inspired by and largely about the controversy concerning these cartoons of Mohammed, the Times doesn’t include examples of any of those cartoons—allowing the writer to characterize them for Times readers as “callous and feeble cartoons, cooked up as a provocation by a conservative newspaper.” The New York Times has not printed an example of any of those 12 cartoons since the controversy began, of-course. But, accompanying this article is a picture of a dung-splashed Virgin Mary, surrounded by porn magazine cut-outs: the picture that caused controversy, though no riots, when it was displayed at the Brooklyn Museum in 1999. Does Bottum’s theory apply? Do they just not see their own glaring double-standard, because they’re confusing the concept of Muslim with race? Explanation or not, it’s sure no excuse …
…
Addendum 11:52 am: The editorial staff of the NY Press have resigned en masse after that paper’s publisher refused, apparently at the last minute, to allow those infamous cartoons to be re-printed in an accompanying article on the controversy. The NY Press is a freely distributed weekly newspaper available on the streets of New York City.
Addendum 12:38 pm: NeanderNews is following happenings in Denmark, where the press is pursuing the story of the fake cartoons; i.e. the three egregiously inflammatory pictures (never published in that Danish newspaper) that some Danish imams brought with them to the Middle East to show how Islam had been insulted in Denmark. NeanderNews previously illustrated the bizarre source of one these pictures here.
Addendum 01:48 pm: Calling the Iranians’ bluff, the editor of the Danish newspaper Jyllands-Posten offers to publish their no doubt very pretty “holocaust cartoons” on the same day as they are published in Iran. Personally, I think it would be laudatory if major Western newspapers published examples of typical Middle Eastern editorial cartoons on a regular basis. [Correction 09:20 pm: Jyllands-Posten backtracks. Foolishness, in my view. Publishing them, in a context that amply demonstrated their falseness and callousness, would be a smart response and would turn the tables. ]
Addendum 02:35 pm:
Hugh Hewitt continues to express his belief that this whole battle over cartoons is counter-productive to the real war. Some of the points he makes are irrefutable, in terms of the dangers aroused and the damage already provoked by this situation. But the question he fails to ask himself, or to answer, is this: What damage would have been done if everyone had decided, apparently like him, that the publication of the cartoons in Denmark was not worth defending? What damage would have been done had an isolated Denmark ultimately capitulated in some way to the self-serving pressure tactics of opportunistic and authoritarian Muslim regimes and the radical Islamists? What would be the price of granting a victory to those types? Does he not think it would have encouraged them to seek still more victories?
Actions have consequences, yes, as Hewitt points out in relation to Jyllands-Posten. Inaction also has consequences, and those consequences are the ones that needed to be faced up to once a serious effort to punish Denmark had gotten underway in the Muslim world.
In the end, as is becoming more clear with each passing day, this “crisis” has been provoked not so much by the publication of the cartoons in the first place, as by a concerted effort, beginning with the above-mentioned Danish imams and continuing with the regimes in Syria and Iran, to use this cherry-picked issue as some kind of battering ram. Were it not these cartoons, it seems likely some other excuse would have been arrived at sooner rather than later.
Hewitt himself links to the Iraqi blogger Omar at Iraq the Model today. Here’s a little bit of what Omar has to say:
You know that those cartoons were published for the 1st time months ago and we here in the Middle East have tonnes of jokes about Allah, the prophets and the angels that are way more offensive, funny and obscene than those poorly-made cartoons, yet no one ever got shot for telling one of those jokes or at least we had never seen rallies and protests against those infidel joke-tellers.
What I want to say is that I think the reactions were planned to be exaggerated this time by some Middle Eastern regimes and are not mere public reaction.
And I think Syria and Iran have the motives to trigger such reactions in order to get away from the pressures applied by the international community on those regimes.
…
One last thing, even if the entire EU apologizes it won’t change a thing; fanatics in our countries here had always considered the west their infidel arrogant crusader enemy and no apology no matter how big or sincere can change that.
Addendum 08:50 pm: One is tempted to just say “game over,” at this news, but, if only the game actually were over. Via LGF, the news that the infamous cartoons were published in a newspaper in Egypt in October of 2005 … and nobody cared.
Addendum 09:09 pm: Huh? Jim Geraghty, who has been sending dispatches from Turkey and arguing that commentators in the States have been painting Muslims with too broad a brush, first says that, “I stand by my reaction of the past couple days. ” But then goes on to say, basically, “Maybe we should just nuke them all after all.” Well, I’m paraphrasing there, but read it yourself and decide.
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Not a Moment Too Soon … ...9:04 am
Iowahawk is back after a long hiatus with what can only be described as essential reporting on the Wisconsin cartoon wars.
Green Bay, WI - Like a pot of bratwurst left unattended at a Lambeau Field pregame party, simmering tensions in the strife-torn Midwest boiled over once again today as rioting mobs of green-and-gold clad youth and plump farm wives rampaged through Wisconsin Denny’s and IHOPs, burning Texas toast and demanding apologies and extra half-and-half.
The spark igniting the latest tailgate hibachi of unrest: a Texas newsletter’s publication of caricatures of legendary Green Bay Packers coach Vince Lombardi.
Protestors demonstrated against the images throughout the Badger State yesterday, with violent egging and cow-tipping incidents reported in Oconomowac, Pewaukee, Sheboygan, Ozaukee, Antigo, Oshkosh, Waubeno, Wauwautosa, Waunewoc, Wyocena, Waubeka, and Washawonamowackapeepee.
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Tuesday, February 7, 2006
Tony, Captain Dave and Cyber-Bob ...8:41 pm
Alright then. Via Expecting Rain today. Anthony Hopkins (the actor) is writing music for the “opening of a hotel” in Las Vegas. He’s being assisted by Dave Stewart, of Eurythmics fame. According to Contactmusic.com:
“I spend about eight hours a day, three days a week, working on it on the computer. I love it. These extraordinary computers are pulling stuff out of me that I never knew I had.”
Hopkins, whose working title for the piece is SYMPHONY EROTIQUE, describes it as “more Ravel and Debussy” and has been encouraged by Stewart’s positive feedback.
He adds, “I send stuff to Dave Stewart and he says, ‘Yeah, great mate!’”
The actor was also thrilled to receive an e-mail from veteran musician BOB DYLAN.
He says, “Dave Stewart had obviously told Bob Dylan about this project we’re doing. And I got this e-mail saying, ‘Captain Dave is the greatest!’ And, ‘Go for it!’ So I’m going for it.”
And there’s really nothin’ anyone can say.
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Just a Little More Times ...7:55 am
Another one week extension has been added to the run at the Old Globe Theater for the new Twyla Tharp / Bob Dylan musical The Times They Are A-Changin’. It will now run there until March 19th, sez Playbill Magazine today. (See previous posts here and here.)
Addendum 11:30 am: Lots more detail on those “reheasals for the new album” which took place last week in Poughkeepsie, NY, from the theater’s director Chris Silva. Also click the “Photo Gallery” link at the bottom of that page if pictures of musical instruments at rest interest you.
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Monday, February 6, 2006
Cartoon Frenzy ...2:40 pm
The blogger and radio talk-show host Hugh Hewitt has been taking a disapproving tone over the celebration, in many parts of the blogosphere, of cartoons offensive to Islam (and he considers at least some of the original cartoons to be genuinely offensive). While I’m summarizing the point of view he’s put forward over the course of several posts, he seems to me to be making the case that this whole thing is a counter-productive distraction from the real war on Jihadism, and risks needlessly alienating moderate Islamic allies and ordinary Muslims, while gaining nothing.
I think his points are worthy and serious ones and there’s no doubt that some people are going way too far. LGF yesterday linked to “The Infidels Bloggers Alliance Mohammed Cartoon Contest;” an invitation for everyone from anti-social 15-year-olds in their bedrooms to, presumably, fully-fledged card-carrying bigots to go to town and be just as offensive as they like [correction: it was not presented in those terms in the blog, see below **], in order to demonstrate … well, what? Things like this (and there is more of this going on) are extremely gratuitous and completely juvenile.
Back to Hewitt: Today, in response to a ton of e-mail criticism he has received for the line he is taking, he says this:
“The debate begins with these questions: Are we at war with Islam? Do you want a war with Islam?”
I’ll answer for myself: “No,” we’re not at war with Islam. And to the second question, “no” again; we do not want to be at war with Islam. Those are the same answers Hewitt gives.
However, we are at war with radical Islam, or Islamofascism, or Jihadism—call it what you will. I think we all understand it as a fanatical movement, based in the Middle East, with representatives across the globe, who seek to force their own vision of Islam, including Sharia law, on as many people as possible, and ultimately on the whole world, killing resistors as need be. That includes forcing it on ordinary or “moderate” Muslims (however many you believe there are), and indeed they tend to be first in the line of fire.
The question then for me is: Were Denmark forced to take action against its own principles, in order to punish the newspaper or cartoonists in question in a way that would appease those most aggressive protesters, who would have won? Would it not be the radical Islamists? And doesn’t victory ultimately inspire rather than appease such an enemy?
Remember where this situation was as late as last Tuesday. The cartoons had been published last September (in a self-described experiment to see how “self-censoring” the cartoonists would be, but not in a gratuitous attempt to offend Muslims for the sake of it). The controversy had built and built, taken to its greatest heights by those Danish imams who traveled to the Middle East and displayed the 12 cartoons, at the same time adding in 3 more from some unknown source* that are clearly more deliberately offensive. (As I said before about the original cartoons: as caricatures go, they contain no sexual or toilet humor and seem to me to be at worst a mild satirical reaction to decades of terrorist violence committed by people claiming to act in the name of Islam.) Denmark was seemingly isolated against a growing list of authoritarian Arab and Muslim regimes who were taking real action against it. A boycott of Danish goods was, and is, having a significant effect on a country that does have substantial export business to the Middle East. While the Danish prime minister had stuck to his guns from the beginning in saying that no action could be taken against a newspaper in a case like this—due to the freedom that the press enjoys in Denmark—it seemed hardly certain that such an unequivocal line would be maintained indefinitely; at least to an outside observer. And outside observers on the editorial staff of newspapers in France, Germany, Italy and Spain decided not to leave the Danes isolated any longer.
Was this wrong? Should Denmark and the Danish newspaper have been left twirling in the wind over this, as radical Islamists pushed forward to gain both a real and a heavily symbolic victory over Western freedom-of-the-press?
I don’t think so. I think re-printing those cartoons at that juncture was an appropriate way of saying, “No, you cannot divide and conquer us like this.” The radical Islamists cannot be permitted to pick off the potentially weak and use victories against them as leverage against others.
It is worth noting a hopeful sign: in Europe, among the native Muslim population, there have not as yet been riots or acts of violence in response to these cartoons (albeit that there have been ugly threats). This hopefully is an indication that most European Muslims, accustomed as they must be to the rough and tumble of the free press, don’t quite see what all the fuss is about. Again: if victory were given to the demands of the loudest radicals, then what message would be being sent to these presumed moderates (who, ideally, might be the best defense against the radicals)?
All that being said, for some now to engage in open season on making and publishing their own mocking caricatures of Mohammed is clearly gratuitous, immature and unhelpful, and should offend anyone who thinks people’s religious beliefs are entitled to a presumption of respect. They have a right to do it … at least in most places. But they should not be cheered on.
…
*A source for one of the fake cartoons apparently uncovered at NeanderNews.
** The Infidel Bloggers Alliance included this in the announcement of the Mohammed Cartoon Contest:
You don’t need to be mean, or pornographic. Just draw good ole Mo in everyday situations, like standing in line at Wal-Mart, or whatever comes to your mind.
Remember, Jihadis get angry at images of Piglet, so we don’t need to be extreme. The goal here is to show how many Muslims will get very angry at silly stuff.
So, this particular effort was not a deliberate invitation for people to be egregiously offensive, although one wouldn’t need a PhD in human nature to anticipate the character of many of the responses.
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Death and Taxes ...10:49 am
The state of Tennessee brought in almost $2 million last year thanks to their innovative “Crack Tax.” From The Tennessean:
The state’s unauthorized substances tax, dubbed the “crack tax,” raked in $1,714,565 since becoming effective on Jan 1., 2005, according to a statement released yesterday by the Tennessee Department of Revenue. More than $32 million in uncollected taxes has been assessed.
“We’re pleased with last year’s results,” said Emily Richard, a spokeswoman for the state’s Department of Revenue. “It definitely was a success.”
…
The unauthorized substances tax is levied on illegal drugs including marijuana, cocaine and methamphetamine. It also is assessed on illicit alcoholic beverages, such as “moonshine.”
Under the law, drug dealers are to pay taxes to the Department of Revenue within 48 hours of acquiring an unauthorized substance and obtain a state tax stamp. The amount of money taxed varies based on the type and amount of the drug. Payment of the tax is to be kept confidential and the information is not to be shared with law enforcement.
If police catch a suspected drug dealer without the stamps, the tax is assessed, along with a fine for failure to pay the tax upfront.
Beyond comment.
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Subtlety in Mayhem ...10:12 am
Iranians pelt Austrian embassy with firebombs.
A crowd of about 200 people pelted the Austrian Embassy in Tehran with fire bombs and stones yesterday in a protest over the publication of cartoons depicting the Prophet Muhammad.
A Reuters photographer at the scene said the protesters had smashed all the diplomatic mission’s windows with stones and had thrown several petrol bombs at the building.
The building did not catch fire and dozens of riot police surrounded it and were preventing the protesters from storming inside.
The embassy was attacked over the cartoons and also for the European Union’s stance over Iran’s nuclear programme, since Vienna currently holds the presidency of the EU.
Well, clearly this protest was organized, and indeed the article states that it was announced in advance “by members of Iran’s official Basij militia, a volunteer force affiliated to Iran’s hardline Revolutionary Guards.”
Still, it’s an interesting fringe benefit of holding the presidency of the EU. Whichever country that is, at any given time, will now have to consider its embassies’ security in the light of controversies affecting any other EU member state. Well, that’s why they call it a “union,” I guess.
Addendum 1:59 pm: Now the “protesters” are attacking the Danish embassy in Tehran, so they are fine-tuning their focus, obviously.
A crowd of about 400 demonstrators threw petrol bombs at the Danish embassy in Tehran and tried to break into it on Monday night in a protest over the publication of cartoons depicting the Prophet Mohammad.
To chants of “God is Greatest” and “Death to America” the crowd tried to break down the metal gate entrance to the embassy, which sits behind a high wall in a residential district of northern Tehran, a Reuters correspondent said.
I have to say: After what happened in 1979 to the American embassy, and the failure since then to hold anyone to account for those crimes (many say the current Iranian president is one of the hostage-takers), no sensible government should have maintained an embassy in Iran.
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